Tag Archives: World War II
Ask any of the few remaining World War II veterans what they did during the war and you’re likely to get a humble answer. But ask the person on the street how important their country’s contribution to the war effort was and you’ll probably hear something far less modest. A new study suggests people from Germany, Russia, the UK and the US on average all think their own country shouldered more than half the burden of fighting World War II.
Our national collective memories seem to be deceiving us, and this is part of a far more general pattern. Aside from those veterans who have no desire to revel in the horrors of war, we may have a general psychological tendency to believe our contributions are more significant than they really are.
You can see this in even the most mundane of tasks. Unloading the dishwasher can be a perennial source of family irritation. I suspect that I’m doing more than my fair share. The trouble is that so does everybody else. Each of us can think: “The sheer injustice! I’m overworked and under-appreciated.”
But we can’t all be right. This strange magnification of our own efforts seems to be ubiquitous. In business, sport or entertainment, it’s all too easy for each participant to think that their own special stardust is the real reason their company, team or show was a hit.
It works for nations, too. A study last year, led by US memory researcher Henry Roediger III, asked people from 35 countries for the percentage contribution their own nation has made to world history. A dispassionate judge would, of course, assign percentages that add up to no more than 100% (and, indeed, considerably less, given the 160 or so countries left out). In fact, the self-rating percentages add up to over 1,000%, with citizens of India, Russia and the UK each suspecting on average that their own nations had more than half the responsibility for world progress.
A sceptic might note that “contributing to world history” is a rather nebulous idea, which each nation can interpret to its advantage. (The Italians, at 40%, might focus on the Romans and the Renaissance, for example.) But what about our responsibility for specific world events? The latest study from Roediger’s lab addresses the question of national contributions to World War II.
The researchers surveyed people from eight former Allied countries (Australia, Canada, China, France, New Zealand, Russia/USSR, the UK and the US) and three former Axis powers (Germany, Italy and Japan). As might be expected, people from the winning Allied side ranked their own countries highly, and the average percentage responses added up to 309%. Citizens of the UK, US and Russia all believed their countries had contributed more than 50% of the war effort and were more than 50% responsible for victory.
You might suspect that the losing Axis powers, whose historical record is inextricably tied to the immeasurable human suffering of the war, might not be so proud. As former US president John F Kennedy said (echoing the Roman historian Tacitus): “Victory has a hundred fathers and defeat is an orphan.” Perhaps the results for the Allied countries just reflect a general human tendency to claim credit for positive achievements. Yet citizens of the three Axis powers also over-claim shares of the war effort (totalling 140%). Rather than minimising their own contribution, even defeated nations seem to overstate their role.
Why? The simplest explanation is that we piece together answers to questions, of whatever kind, by weaving together whatever relevant snippets of information we can bring to mind. And the snippets of information that come to mind will depend on the information we’ve been exposed to through our education and cultural environment. Citizens of each nation learn a lot more about their country’s own war effort than those of other countries. These “home nation” memories spring to mind, and a biased evaluation is the inevitable result.
So there may not be inherent “psychological nationalism” in play here. And nothing special about collective, rather than individual, memory either. We simply improvise answers, perhaps as honestly as possible, based on what our memory provides – and our memory, inevitably, magnifies our own (or our nation’s) efforts.
How do you calculate real responsibility?
A note of caution is in order. Assigning responsibilities for past events baffles not just everyday citizens, but academic philosophers. Imagine a whodunit in which two hopeful murderers put lethal doses of cyanide into Lady Fotherington’s coffee. Each might say: “It’s not my fault – she would have died anyway.” Is each only “half” to blame, and hence due a reduced sentence? Or are they both 100% culpable? This poisoning is a simple matter compared with the tangled causes of military victory and defeat. So it is not entirely clear what even counts as over- or under-estimating our responsibilities because responsibilities are so difficult to assess.
Still, the tendency to overplay our own and our nation’s role in just about anything seems all too plausible. We see history through a magnifying glass that is pointing directly at ourselves. We learn the most about the story of our own nation. So our home nation’s efforts and contributions inevitably spring readily to mind (military and civilian deaths, key battles, advances in technology and so on). The efforts and contributions of other nations are sensed more dimly, and often not at all.
And the magnifying glass over our efforts is pervasive in daily life. I can find myself thinking irritably, as I unload the dishwasher, “Well, I don’t even remember the last time you did this!” But of course not. Not because you didn’t do it, but because I wasn’t there.
Today (August 5) marks the 75th anniversary of Australia’s largest prison escape: the Cowra breakout, in New South Wales, during the second world war. In fact, it is one of the largest prison escapes in world history, but unless you are a keen war historian you may have never heard about it.
A small farming community was forever changed in 1944, when the sound of a bugle cut through the crisp night air at the Cowra Prisoner of War camp.
Rushing through a hail of bullets fired by the Australian guards, hundreds of prisoners escaped into the countryside. In the following days, 334 prisoners were recaptured.
As the dust settled, many would question why the prisoners would attempt such a bold and ultimately lethal escape plan. How do we as a society make sense of such bloodshed?
From non-fiction to fiction
While there have been a number of non-fiction works written on this event by authors such as Hugh Clarke, Charlotte Carr-Gregg, and Harry Gordon, it is works of fiction that have sought to fill in the gaps of history. They give us a way of understanding the incomprehensible.
The first author to do so was Australian poet and novelist Kenneth Seaforth Mackenzie. Mackenzie was stationed at Cowra during WWII and was on duty the night of the breakout.
His novel Dead Men Rising was based on his experiences. Because of this, the book was initially halted from Australian release due to the publisher’s fears of libel claims.
The book was released in the UK and USA in 1951 but Australian readers had to wait until 1969, several years after Mackenzie’s death, to read his interpretation of the event.
Dead Men Rising is largely focused on camp life through the eyes of the guards in the lead up to the break out. There is little interaction with the Japanese inmates who are represented as “un-human”, “animal-like” and “unpredictable”.
Mackenzie depicts them as utterly foreign and incomprehensible to the Australian soldiers. This narrative likely reflects attitudes at the time with anti-Japanese sentiment still high in the early post-war years.
A Japanese perspective
Several years later, Japanese author and former military doctor Teruhiko Asada, wrote Hiroku Kaura no Bōdō a title that translates as “The Secret Record of the Cowra Riot” in 1967.
It was received eagerly by English speaking audiences when it was translated by former Australian soldier and interpreter Ray Cowan in 1970 under the sensationalist title The Night of a Thousand Suicides.
Presented as a first-person narrative, the story had an intimate feel lacking in previous accounts, which led to some claiming the book was more fact than fiction, no doubt reinforced by Cowan’s inclusion of photographs from the Australian War Memorial. But this attribution is problematic given Asada was never imprisoned at Cowra.
Alternating between an Australian and a Japanese perspective of the war, this novel highlights the unlikely similarities shared between the story’s two opposing protagonists, an ex-farmer from occupied New Guinea and an imprisoned Japanese Sergeant.
The coming of age novel depicts a young boy who seeks to help the “samurai” escape from the POW camp, amid a backdrop of familial trauma and the hardships of rural life.
The boy’s innocence highlights the inherent racism, bigotry and violence that permeate the town’s pleasant façade, disrupting the notion that the “enemies” are the ones behind the barbed wire fence.
In 1989 Thomas Keneally revised and republished his 1965 novel The Fear.
The 1965 edition drew upon his boyhood memories of the breakout with this work briefly depicting the camp and subsequent breakout in the latter half of the book.
With this fresh perspective, Keneally returned again to the breakout in 2013 with Shame and the Captives which is set in the town of Gawell, a fictionalised version of Cowra.
Keneally said in his introduction that now, rather than drawing on his faulty memories of childhood, he spent considerable time researching the historical event which informs his work.
By aiming to create a “a truth in this fiction” Keneally hoped to “interpret the phenomenon of Cowra”. His reimagining included explorations of Italian and Korean POWs who were also held at Cowra, but whose stories are often overlooked.
The most recent work which revisits the breakout is by Wiradjuri author Anita Heiss.
Issues of race, discrimination and loyalty take on a new sense of urgency in this wartime setting, yet also highlight that while much has changed in the last 75 years, so much has stayed the same.
Heiss echoed this view when she asserted there “are lessons still to be learned from the history of Cowra”, lamenting the regression in Australia’s treatment of detainees in centres such as Manus Island or Don Dale.
From this bloody chapter of history, the township of Cowra – today, a four hour drive inland from Sydney – has moved forward to promote itself as a beacon of peace, friendship, and understanding.
In a show of respect for the dead, the Cowra RSL Sub-branch cared for the Japanese burial ground informally until eventually the graves were relocated to what is now the Cowra Japanese War Cemetery, which opened in 1964.
The gardens and the cemetery were symbolically linked by an avenue of cherry blossoms in 1988, and in 1992 Cowra was awarded further recognition to its peace efforts with The Australian World Peace Bell.
When Allied troops stormed the beaches at Normandy, France on June 6, 1944 – a bold invasion of Nazi-held territory that helped tip the balance of World War II – they were using a remarkable and entirely untested technology: artificial ports.
To stage what was then the largest seaborne assault in history, the American, British and Canadian armies needed to get at least 150,000 soldiers, military personnel and all their equipment ashore on day one of the invasion.
Reclaiming France’s coastline was just the first challenge. After that, Allied troops planned to fight their way across the fields of France to liberate Paris and, finally, onto Berlin, where they would converge with the Soviet army to defeat Hitler.
When Gen. Dwight Eisenhower and his advisers pressed for this ambitious invasion of Nazi-occupied France, British Prime Minister Winston Churchill was dubious.
Could it be done?
Such an operation would require more than a million soldiers – all equipped with weapons, ammunition, food and clothing – plus hundreds of thousands of vehicles, tents and medical personnel.
Getting so many people and materials from ship to shore while battling waves, tides and currents presented an enormous logistical challenge.
Churchill, recalling the failed marine campaign to capture Gallipoli during World War I, feared that Allied troops would get trapped on the beaches and be sitting ducks for the German soldiers awaiting atop Normandy’s cliffs.
So Churchill demanded that a team of engineers, scientists and military officers design a marine staging area that could actually support a successful operation.
The team’s solution was ingenious: two easy-to-assemble artificial ports where Allied ships could safely anchor to stage the massive operation.
As I write in my 2016 book on what became known as the “Mulberry Harbours,” each of these artificial ports consisted of artificial breakwaters – barriers against waves made up of sunken ships and huge concrete chambers.
Behind the circular breakwaters was a sophisticated system of floating piers anchored to the seabed.
German planes doing air reconnaissance did spot the concrete chambers, which had been filled with air to make them float before they were sunk. But, according to my archival research, they had no idea what they were seeing or how these giant containers would be used.
A floating solution
Once complete, each Mulberry Harbour – a code name that has no deeper meaning – gave Allied troops about 1 square mile of quiet, wave-free ocean from which to stage the invasion.
Nearly 200 military ships and landing crafts anchored at Mulberry Harbours in their first week, sending 12 military divisions, or about 180,000 men, straight into enemy territory.
Ten thousand of them were killed or injured on the first day, blown up by landmines and picked off by camouflaged German machine gun nests and blasted by artillery in concrete bunkers.
On June 19, 1944, a storm permanently disabled the Mulberry Harbour used by the American armed forces.
But Britain’s Mulberry Harbour continued to serve Allied forces for another 10 months as they freed all French ports from German control.
War games in the bath
Churchill became convinced of the merit of the Mulberry Harbours design while in a bath tub on the Queen Mary, as he traveled to Washington to discuss war strategy with President Franklin Roosevelt in 1943.
Churchill’s scientific adviser, Professor John Bernal, floated paper boats in the prime minister’s bathtub, agitating the water to simulate waves, then used a loofah, or sponge, to demonstrate the pacifying effect of breakwaters.
“They must float up and down with the tide. The anchor problem must be mastered. Let me have the best solution worked out,” Churchill wrote. “Don’t argue the matter. The difficulties will argue for themselves.”
After D-Day, some Mulberry Harbours engineers were sent to the South Pacific with the idea that similar portable ports would be needed for the invasion of Japan. The atomic bombs dropped on Hiroshima and Nagasaki made that unnecessary.
No similar wartime engineering feat has been tried since.
Finding shipwrecks isn’t easy – it’s a combination of survivor reports, excellent archival research, a highly skilled team, top equipment and some good old-fashioned luck.
And that’s just what happened with the recent discovery of SS Iron Crown, lost off the coast of Victoria in Bass Strait during the second world war.
Based on archival research by Heritage Victoria and the Maritime Archaeological Association of Victoria, we scoped an area for investigation of approximately 3 by 5 nautical miles, at a location 44 nautical miles SSW of Gabo Island.
Hunting by sound
We used the CSIRO research vessel Investigator to look for the sunken vessel. The Investigator deploys multibeam echosounder technology on a gondola 1.2 metres below the hull.
Multibeam echosounders send acoustic signal beams down and out from the vessel and measure both the signal strength and time of return on a receiver array.
The receiver transmits the data to the operations room for real-time processing. These data provide topographic information and register features within the water column and on the seabed.
At 8pm on April 16, we arrived on site and within a couple of hours noted a feature in the multibeam data that looked suspiciously like a shipwreck. It measured 100m in length with an approximate beam of 16-22m and profile of 8m sitting at a water depth of 650m.
Given that we were close to maxing out what the multibeam could do, it provided an excellent opportunity to put the drop camera in the water and get “eyes on”.
The camera collected footage of the stern, midship and bow sections of the wreck. These were compared to archival photos. Given the location, dimension and noted features, we identified it as SS Iron Crown.
The merchant steamer
SS Iron Crown was an Australian merchant vessel built at the government dockyard at Williamstown, Victoria, in 1922.
On June 4 1942, the steel screw steamer of the merchant vavy was transporting manganese ore and iron ore from Whyalla to Newcastle when it was torpedoed by the Japanese Imperial Type B (巡潜乙型) submarine I-27.
Survivor accounts state that the torpedo struck the vessel on the port side, aft of the bridge. It sank within minutes. Thirty-eight of the 43 crew went down with the ship.
This vessel is one of four WWII losses in Victorian waters (the others were HMAS Goorangai lost in a collision, SS Cambridge and MV City of Rayville lost to mines) and the only vessel torpedoed.
After the discovery
Now we’ve finally located the wreck – seven decades after it was sunk – it is what happens next that is truly interesting.
It’s not just the opportunity to finally do an in-depth review of the collected footage stored on an external hard drive and shoved in my backpack, but to take the important step of ensuring how the story is told going forward.
When a shipwreck is located, the finder must report it within seven days to the Commonwealth’s Historic Shipwreck Program or to the recognised delegate in each state/territory with location information and as much other relevant data as possible.
Shipwrecks aren’t just found by professionals, but are often located by knowledgeable divers, surveyors, the military, transport ships and beachcombers. It’s no big surprise that many shipwrecks are well-known community fishing spots.
While it is possible to access the site using remotely operated vehicles or submersibles, we hope the data retrieved from this voyage will be enough.
It was only 77 years ago that the SS Iron Crown went down. This means it still has a presence in the memories of the communities and families that were touched by the event and its aftermath.
No war grave, but protected
Even though those who died were merchant navy, the site isn’t officially recognised yet as a war grave. But thanks to both state and Commonwealth legislation, the SS Iron Crown was protected before it was even located.
All shipwrecks over 75 years of age are protected under the Commonwealth Historic Shipwrecks Act 1976. It is an offence to damage or remove anything from the site.
This protection is enhanced by its location in deeper water and, one hopes, by the circumstances of its loss.
Sitting on the sea floor in Bass Strait, SS Iron Crown is well below the reach of even technical divers. So the site is unlikely to be illegally salvaged for artefacts and treasures.
Yet this also means that maritime archaeologists have limited access to the site and the data that can be learnt from an untouched, well-preserved shipwreck.
Virtual wreck sites
But, like the increasing capabilities for locating such sites, maritime archaeologists now have access to digital mapping, 3D modelling technologies and high-resolution imagery as was used for the British Merchant Navy shipwreck of the SS Thistlegorm.
These can even allow us to record shipwreck sites (at whatever the depth) and present them to the public in a vibrant and engaging medium.
Better than a thousand words could ever describe, these realistic models allow us to convey the excitement, wonder and awe that we have all felt at a shipwreck.
Digital 3D models enable those who cannot dive, travel or ever dream of visiting shipwrecks to do so through their laptops, mobiles and other digital devices.
Without these capabilities to record, visualise and manage these deepwater sites, they will literally fade back into the depths of the ocean, leaving only the archaeologists and a few shipwreck enthusiasts to investigate and appreciate them.
So that’s the next step, a bigger challenge than finding a site, to record a deepwater shipwreck and enable the public to experience a well-preserved shipwreck.