Tag Archives: Romans

How our discovery of Julius Caesar’s first landing point in Britain could change history



File 20171129 29123 11p3qnw.jpg?ixlib=rb 1.1

Wellcome Trust/Wikimedia Commons, CC BY-SA

Andrew Fitzpatrick, University of Leicester

During the nine-year-long Battle for Gaul, Julius Caesar fought his way across northwest Europe. He invaded Britain twice; in 55BC, and again in 54BC. But while archaeologists have found evidence of the war in France, there has been very little discovered in Britain – until now.

At a site called Ebbsfleet, in northeast Kent, my colleagues from the University of Leicester and I finally uncovered the site where Julius Caesar’s fleet landed in 54BC. A series of surveys and excavations, spanning from 2015 to 2017, revealed a large enclosure, defended by a ditch five metres wide and two metres deep.

What a find: pilum tip from Ebbsfleet.
University of Leicester, Author provided

We dated the ditch all the way back to the first century BC, by examining the pottery and using radiocarbon dating techniques.

At the bottom of the ditch, we found the tip of an iron weapon, which was later identified as a Roman spear, or “pilum”. Similar weapons were discovered at the site of Alésia in France, where the decisive encounter in the Battle for Gaul took place. What’s more, the defensive ditches at Alésia are the same size and shape as those we discovered at Ebbsfleet.

In Caesar’s own words

Our dig was situated next to Pegwell Bay, a large, sandy beach with chalk cliffs at its northern end. This striking landscape also helps to confirm that we really have found the location of Caesar’s base. Most of what is known about Caesar’s voyage comes from his own written accounts, based on his annual reports to the Roman senate.

When the Roman fleet set sail from France, they intended to use the wind to help them cross the Channel to find a large, safe place to lay anchor and prepare for battle. But the wind dropped, and the fleet was carried too far northeast by the tide.

We came, we saw, we excavated.
University of Leicester., Author provided

At sunrise, Caesar saw Britain “left afar on the port side”. Only high land would have been visible from a small ship far out at sea. And the only such land in northeast Kent are the cliffs near Ebbsfleet. Caesar also describes how he left the ships riding at anchor next to a “sandy, open shore” – a perfect description of Pegwell Bay.

Given Caesar’s own words seem so clear, it’s surprising that Pegwell Bay has never been considered as a possible landing site before. Instead, Caesar was long thought to have landed at Walmer, 15 kilometres to the south. One reason might be that, until the Middle Ages, Thanet was an island.

The Isle of Thanet was separated from the mainland by the Wantsum Channel. But no one knows how big the channel was 2,000 years ago; it could be that whatever disadvantages it presented were offset by the presence of a large and safe beach, where 800 ships could land and disembark 20,000 men and 2,000 horses in one day.

Peace by force

Despite the imposing size of Caesar’s fleet, it was long thought that his landing had little lasting impact on Britain. Caesar himself returned to France immediately after the two campaigns, without leaving a garrison. Yet the discovery of the landing site gives us cause to question this assumption.

Making history at Ebbsfleet.
Andrew Fitzpatrick/University of Leicester, Author provided

Historical sources, royal burials and ancient coins indicate that from about 20BC, the kings of southeast England had strong links to Rome. But historians have found it hard to explain how these alliances came into existence. The suggestion that they sprung from diplomatic ties forged by the emperor Augustus at that time has never been convincing.

But Caesar tells us that he reached a peace accord with the Britons in 54BC, even taking hostages from the ruling families to ensure the agreement was respected. Perhaps the alliances which came to light in the 20s BC were originally established by Caesar, a generation before emperor Augustus asserted his authority over the Roman Empire.

The close ties between Rome and the kings of southeast England assured emperor Claudius of a relatively easy military victory, when he first set out to conquer England in 43 AD. So it seems Caesar’s earlier conquest could have laid the foundations for the Roman occupation of Britain, which lasted more than 300 years.

The ConversationFor Caesar, the consequences of his invasions were clear. In his day, Britain lay beyond the known world. By crossing the ocean and conquering Britain, Caesar caused a sensation in his homeland. He was awarded the longest public thanksgiving in Rome, winning great acclaim and glory in the process. Mission accomplished.

Andrew Fitzpatrick, Research Associate, University of Leicester

This article was originally published on The Conversation. Read the original article.


Roman gladiators were war prisoners and criminals, not sporting heroes



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The helmet of a heavily armed ‘secutor’, first century AD.
Rógvi N. Johansen, Department of photo and medie Moesgaard

Alastair Blanshard, The University of Queensland

For centuries, the bloody gladiator conflicts that the Romans staged in amphitheatres throughout the empire have engrossed and repelled us. When it comes to gladiators, it is almost impossible to look away. But the arena is also the place where the Romans feel most foreign to us.

The gladiator was the product of a unique environment. He can exist only within a very particular set of religious, social, legal, political and economic circumstances. It is not surprising that this is a form of spectacle we have not seen either before or since the Romans. To acknowledge this is also to acknowledge that they are only ever going to be partially comprehensible to us.

Statuette of a Gladiator from Murmillo, first century CE.
Ministero dei Beni e delle Attività Culturali e del Turismo – Museo Archeologico Nazionale di Napoli

Sadly, this is not a view shared by the Queensland Museum, which last week opened its new exhibition, Gladiators: Heroes of the Colosseum. The exhibition brings together 117 objects from Italian museums, most notably the collection of the Colosseum at Rome. Highlights include some extremely well preserved and intricately decorated gladiatorial helmets and pieces of armour from Pompeii, as well as some very fine carved reliefs depicting scenes of combat.

Yet, while the quality of the individual objects is without question and certainly worth the price of admission alone, the intellectual framework of the exhibition is far more problematic.

This is not an exhibition that is plagued by doubts or uncertainties. It firmly knows who gladiators were and what they stood for – gladiators, the opening panel of the exhibition proclaims, were the “elite athletes” of the ancient world. The antique equivalent of today’s fighters in the popular sport MMA, if you like.

Sporting analogies pepper the exhibition. Spectators are routinely referred to as “fans” and the catalogue promises that this is an exhibition that “touches on many issues that have parallels with modern-day sport and sporting culture”.

At times, the exhibition also feels like it has taken its cues from contemporary video-game culture. The special weapons of the various types of gladiators are spelled out and visitors are invited to contemplate who would win between a gladiator fighting with a net (known as a retarius to the Romans) and one heavily armed (secutor). A video-game spin-off from the exhibition is easy to imagine.

Rogues not heroes

Gladiatorial combat was certainly popular among the Romans. Evidence for gladiators is found in every province of the Roman Empire.

These fights initially began as contests of matched pairs as part of funeral rites honouring the dead. However, over time their popularity grew. By the time of the Roman Empire, hundreds of gladiators might be involved in spectacles that could last as long as 100 days.

These games were never just displays of gladiatorial fighting. At their most elaborate they involved beast hunts with exotic animals, executions of criminals, naval battles staged in flooded arenas, musical entertainments and dances.

The Queensland Museum is not the first to try to understand gladiators as sporting heroes. However, this analogy causes more problems than it solves.

The vast majority of gladiators were either prisoners of war or criminals sentenced to death. Gladiators were the lowest of the low; violent murderers, thieves and arsonists. Even your most badly behaved football team at their most morally blind would have had no trouble in rejecting this crew.

Gold glass medallion with a scene of a fighter killing wild beasts. fourth century CE.
Rógvi N. Johansen, Department of photo and medie Moesgaard. All rights reserved.

Gladiators in Rome were regarded as fundamentally untrustworthy and outside of legal protection. It is more useful to think of gladiators as prisoners on death row than as David Beckham with a net and trident. The section in the exhibition where children are encouraged to dress up as gladiators would have appalled any respectable Roman parent (that said, it’s great fun).

The Queensland Museum can’t escape the lowly, servile and criminal origins of the gladiators, but it does attempt to moderate our opinion of them by suggesting that some free citizens wilfully chose to be gladiators in search of “eternal fame and glory”. In fact, the evidence of such citizen gladiators is extremely slim. It was almost certainly extreme desperation that forced them into the arena rather than a desire to be remembered by posterity.

At another point, the exhibition suggests that the crowd saw reflected in gladiators the virtues of the soldiers who guarded the empire. Such talk would have had any self-respecting Roman legionary reaching for his short sword.

Gods and monsters

Representing gladiatorial combat as sport also inevitably underplays the religious dimension of the fighting. The exhibition includes some fabulous tomb paintings from the city of Paestum, which illustrate the origins of gladiatorial combat in the funerary rites for the dead. These are wonderful works, which deserve to be much better known; however, they are a rare intrusion into an otherwise secular narrative.

Gladiatorial combats never stopped being religious events. Every day of the games would begin with a “solemn procession” with sacrifices on altars. The gladiators themselves were deeply implicated in the Roman theology of the divine, death, and the relationship between mortal and immortal. These spectacles were Roman sermons written in blood.

Painted Slab from the Tomb of Andriuolo XXVIII, circa 340-330 BCE.
© Laboratorio fotografico del Parco Archeologico di Paestum Foto: Francesco Valletta e Giovanni Grippo

The final problem with focusing on gladiators as sporting heroes is that it tends to isolate their combat from the other elements that made up the games. Beast hunts and the executions of criminals were just as popular, possibly even more so. They were not precursors to the main event or entertainment for the intervals.

The executions of criminals could involve extravagant mythological tableaus. Prisoners were dressed as Hercules and burnt alive. The fatal flight of Icarus towards the sun might be re-enacted for the audience.

Certainly, these elaborate, gruesome affairs captured the attention of ancient writers far more than the gladiators who accompanied them. Wealthy Romans seemed far more preoccupied with obtaining suitably rare fauna for their spectacles.

For the poorer members of the audience, the beast hunts had an added attraction. Often the animal meat was distributed to the audience members to take home. They were literally watching their dinner being butchered in front of them.

One of the most intriguing items in the exhibition doesn’t relate to gladiatorial combat but to one of these beast hunts. It is a second-century CE mosaic that features what appears to be a female hunter facing off a giant tiger. Who is this woman? Evidence for female hunters (like female gladiators) is practically non-existent. Is she part of some mythological tableau? A woman pretending to be an Amazon? Or a man dressed up as a woman? Is this a scene from real life at all?

She is an enigma and a worthy reminder that the real secret of the appeal of Roman combat spectacle is that it raises more questions than it answers.


The ConversationGladiators: Heroes of the Colosseum will be on at the Queensland Museum until January 28 2018.

Alastair Blanshard, Paul Eliadis Chair of Classics and Ancient History Deputy Head of School, The University of Queensland

This article was originally published on The Conversation. Read the original article.


United Kingdom: Hadrian’s Wall Ruins


The link below is to an article reporting on ruins found near Hadrian’s Wall.

For more visit:
https://www.theguardian.com/uk-news/2017/sep/09/hadrians-wall-lost-secrets-roman-vindolanda-unearthed


Italy: Sardinia – Roman Shipwreck Discovered



Italy: The Romans



Rome’s Ghost Ships



United Kingdom: Hadrian’s Wall



Article: England – London’s Roman Past


The link below is to an article that looks at London’s Roman past via 10 000 objects discovered in the mud.

For more visit:
http://www.theguardian.com/uk/2013/apr/09/archaeologist-objects-roman-london-find


Today in History: 16 April 73


Masada Falls to the Romans

On this day in 73 AD, during the First Jewish-Roman War, the Jewish fortress Masada falls to the Romans after its defenders committed mass suicide.

For more, visit:
http://en.wikipedia.org/wiki/Siege_of_Masada

 


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