Tag Archives: archaeology

Histories written in the land: a journey through Adnyamathanha Yarta



It is impossible to fully capture the landscape of the Flinders Ranges in one image. Spanning 400km, it is constantly changing.
Shutterstock

Jacinta Koolmatrie, Flinders University

The Flinders Ranges covers a vast area spanning over 400 kilometres. The nearest capital city is Adelaide which, like all of Australia, exists on Aboriginal land. Adelaide is in Kaurna Country, about 200 kilometres from the southern end of the Flinders Ranges, one of the world’s most interesting and beautiful locations. This is a short drive, relative to most travel in Australia.

It is impossible to describe the Flinders Ranges as just one environment. The landscape changes as you travel from south to north and there is no way you could see its entirety in the span of a lifetime. But to give you an idea of how this land varies, lets start at its most southern end with its flowing green hills, near the small city of Port Pirie. This part of the Flinders Ranges is Nukunu Country. The land here is beautiful and your experience of it is very different, depending on whether you choose to drive on the eastern or the western side of the Ranges.

If you continue driving on the western side you will witness the place where the Ranges meet the ocean. You don’t need to pass through many towns, but you definitely should do so as they all sit on the beautiful coast of the Spencer Gulf. Port Germein, one of the stops, is a lovely seaside town and home to what was once the longest jetty in the Southern Hemisphere. One and a half kilometres long, it lets you experience what it would be like to stand in the middle of the sea looking across to the Ranges. An amazing view indeed.

From Port Germein, you can feel like you are standing in the middle of the sea.
Shutterstock

The eastern side will take you through farmland and small towns. Gum trees, creeks, gorges and green grass surround you and it is one of the first times you will find yourself up close to the Flinders Ranges. Here, you will be travelling through Nukunu Country, or if you veer further east, possibly Ngadjuri or Adnyamathanha Country. There is a stronger colonial history in the towns here, which you can see in the monuments and buildings that now seem tattered and old. But before we get ahead of ourselves, there is one more stop I want to show you on the western side.

As you continue to travel you see the hills gradually turn into shades of dark green and brown. Their shape begins to change too, their soft edges turn to sharper points. The green grass transforms into red sand and you notice that the dark green and brown on the hills are the colours of the shrubs embedded into this sand. You eventually reach the small city of Port Augusta which sits at the top of the Spencer Gulf. This area is a meeting place for a number of Aboriginal groups that are separated on each side of the gulf, however, it is specifically connected to Barngarla and Nukunu. It is no surprise that this place is of great interest to so many Aboriginal Nations. It is the one place where the desert truly meets the sea. It is also the town where I grew up.

At Port Augusta, the desert meets the sea.
Shutterstock

The beauty of home

Growing up in Port Augusta, I never realised just how beautiful this place was or how fortunate I was to experience such stunning views. It is not until you have lived in a city and travelled the world that you start to see the beauty in the place you call home. I spent many days during summer down at the beach during high-tide. But I was more concerned with opening my eyes under water than opening my eyes to the beauty of the Ranges.

My house was not far from an amazing view. If I took a short stroll to the end of my street I could look over a large white salt-lake to the Flinders Ranges. In this area the Ranges become more textured, their edges rougher, the creases highlighted by the shadows cast during sunset. The vegetation here is overflowing.

But even this is not the best part of the Flinders Ranges. To reach the highlight, you must travel from Port Augusta along a small gorge until you reach the point of intersection with the eastern side of the Ranges at the tiny town of Quorn. Continue through this town and the land begins to flatten out. There are fewer hills and you see horizontal red ground for miles around. You are now in a much drier area of the country. Dust. Fewer trees. But shrubbery everywhere. In the distance small hills are rising. As you reach these hills you are exiting Nukunu country and merging into Barngarla and Adnyamathanha country.




Read more:
Revisiting colonial ruin in the Flinders Ranges


When you arrive at the small town of Hawker, you are presented with the option of two roads, and two different adventures. You must ask yourself which side of Ikara (Wilpena Pound) you want to see – the east or the west? If you choose the eastern side, you get to travel at a higher elevation. This section of road brings stunning views that you cannot see anywhere else unless you climb a hill. You feel engulfed by the Ranges, seeing their true magnitude. As you travel north you begin to really enter Adnyamathanha Yarta (Country). You are fortunate to see open plains alongside the beautiful ridges of the Flinders Ranges. Despite the perception that this region is dry, there are flecks of green everywhere. The ground is not just red: it varies between orange, yellow, white and black. These are the same colours that are present in the malka, markings and rock art that exists throughout our Yarta.

On the edge of Ikara you see open plains alongside the ridges of the Ranges.
Jacinta Koolmatrie, Author provided

If you travel further north-east you will continue to see small hills in the distance that transform into mountains. You might even be able to glimpse a line of white on the horizon – the salt lake, Lake Frome. The further north you drive, the closer you get to Vulkathunha-Gammon Ranges National Park. Here you can see creeks and high gorges and you begin to realise this area is not so dry.

Travel further west and you eventually arrive in Nepabunna, a central hub for Adnyamathanha people. During the 1930s, our people decided they needed assistance from missionaries because our land had essentially been destroyed by the influence of pastoralism. When farm animals were introduced to our country, the land began to change, our waters changed, and parts of our country were no longer open to us. It was decided that we needed to turn the place known as Nipapanha into a mission. Today, Nipapanha is known as Nepabunna and is home to a small number of Adnyamathanha people. Despite most of us living outside of this area, we still feel connected and call this area our home.




Read more:
The evidence of early human life in Australia’s arid interior


If you continue driving west, you will end up in the small mining town of Copley or Leigh Creek. This place is home to even more of us. The mine is located not too far outside of the town and operated for over 70 years. Coal was being mined here for use at the power stations in Port Augusta. When the power stations shut down, so too did the mine.

Travelling south out of Leigh Creek and Copley, you see even more amazing views. The hills around this area seem unreal. They create a strange illusion because they are close enough for you to see what is on them, but far enough away to look artificial. These hills are curvy and shapely; they look smooth. They look like what sand looks like when a snake slithers across it.

The Flinders Ranges look like what sand looks like when a snake slithers across it.
Shutterstock

The views from this entire road are gorgeous. On one side you have a flat plain with no hills, because past this is the salt lake, Lake Torrens. On the other side the hills transform from smooth and curvy to the textured, ridged, multi-coloured ranges that circle Ikara. About half-way along this road, you will see the sign for Nilpena, the location of the Ediacaran fossils.

Measuring time

Ediacara is just one small location in the vast area known as the Flinders Ranges. Geologically, the fossils that are found here have transformed discussions about time periods and how the earth, and everything on it, came to be. Even the Ranges themselves are examples of this geological conundrum. They are not only scientifically amazing, they are incredibly breathtaking to witness. This region is truly an amazing place.

The fossils found in Ediacara are ‘breathtaking.’
Fieldwork, Ediacara Hills, Flinders Ranges, South Australia. Photo © Mariana Castillo Deball, 2018

Despite the Flinders Ranges being so large, my ancestors and the ancestors of our neighbouring groups have explored it all. They mapped the entire country thousands of years before our colonisers had even thought of maps. Our people set borders between each other and formed customs that controlled how we entered each other’s country. They named every hill; every rock formation, big and small; every creek and every stream running off that creek. If you see something here, you can bet that we have given it a name.

The name of the Ediacaran fossils comes from their location in the Ediacara hills. But talking about the Aboriginal origins of this name is not as simple as you might think and it stems back to the colonial naming of all Australian places. Back in the time when the settlers were naming and claiming as many places as possible, some given names were original, some paid tribute to colonial figures and some were named after towns in other parts of the world. What is interesting is that many places were also named using Aboriginal words.




Read more:
Friday essay: trace fossils – the silence of Ediacara, the shadow of uranium


Some Aboriginal words that are used for places are not actually place names. In fact, there are many records of humorous words being given to settlers instead of the real name of a place. Due to the complexity of our naming, settlers often mistook words that referred to a specific spot rather than to the broader landscape that they were enquiring about. It was like using the name for a street as the name of a town. This adoption of names also led to the mispronunciation of words. Settlers were in no way linguists, and many Aboriginal words used as placenames have been altered and pronounced very differently to the way they were initially used.

Documentation of the word Ediacara does not clearly indicate which Aboriginal language it comes from, but there is some information about its meaning. One understanding is that this word is linked to a place where water is present. It is also believed that it could be a mispronunciation of the words “Yata Takarra” meaning hard or stony ground. Speaking to Adnyamathanha people about the meaning of the word Ediacara presents difficulties because of the linguistic history of Aboriginal place names. It is most likely that Ediacara was once pronounced very differently and it is possible that it may not be the name of the place where the Ediacaran fossils are located. Either way, the name that exists today in no way diminishes the Adnyamathanha history of the region.

Indigenous knowledge systems

From an archaeological perspective my ancestors have been in this area for over 45,000 years. Our histories are written in the land and passed down from generation to generation through talking and by marking rock walls. If you had traversed the land via the roads I took you on earlier, you would have passed many stories. But in order to tell you one of the main stories about the formation of our country today, I must return to the coalfields of Leigh Creek.

Although the closing of Leigh Creek mine caused distress amongst miners and power station workers, for me it felt like the land had finally won. It was no longer being attacked. Leigh Creek is not the only mine that exists on our country: we have had a long history of mining extending back to early colonisation. Up north uranium is extracted and down south, where the Ediacaran fossils are, copper and silver were once mined. I remember standing next to the Leigh Creek mine and looking inside the incredibly deep hole in the ground. You don’t feel well when you witness scenes like this because they are not pretty and you know that they are the direct result of human conflict. When I looked into that hole I saw a battle lost by my ancestors against developers. I saw my people’s fight and I saw their hurt. Mining coal may have been used to power parts of the state, but in terms of my Adnyamathanha community, it was a form of disempowerment.

The closing of the Leigh Creek mine ‘felt like the land had finally won.’
Mariana Castillo Deball, digital collage, production process Replaying Life’s Tape 2019. Courtesy Mariana Castillo Deball, 2019. Images © Studio Castillo Deball, Author provided

The coal in Leigh Creek mine is connected to the story of Yurlu’s coal. Yurlu is a Kingfisher, but more importantly, he is the Master of Ceremonies. He came down from Kakarlpunha to Leigh Creek where he made a big fire out of mallee sticks. The fire was created to alert everyone to go south with him to Ikara where there would be a ceremony. Along the route of his travels he made several fires and these became the coal deposits you can find on the way down to Ikara. While doing this he was being followed by the two big snakes known as Akurras. These snakes pursued him all the way down to Ikara and you can see their travels represented in the shape of the hills and the ranges as they slithered south. They slid into the pound where they watched the ceremony, their bodies forming each side of the shape of the pound. There is more to this story, but this is enough to illustrate the breadth of our wisdom about our country. We never had any large animals to use as transport, we developed strong knowledge of place by traversing this land on foot.

Aboriginal stories are often viewed as mythology or folk tales, but they are much more than that. This is true of stories about Aboriginal places across the entire continent. Our stories come in many forms and provide various types of knowledge. In some instances they are used as maps. The places travelled to by the beings (they can be human, animal, plant or object) in these stories can be remembered over many generations. Even when these lands were no longer accessible during periods of environmental change, our people could recall them thousands of years later.

Our stories can be used as lessons, indicators of places or things that are dangerous. And I mean real danger, not “taboo”. Places where you can easily become disorientated and lost are in these stories as well as plants or other substances that are chemically dangerous to touch or consume. Our lesson stories can also lead us to places that can help us. They may describe natural springs in land where fresh water is uncommon, or they may map out the locations of rare food sources. They might relate to aspects of our culture such as the origin of certain ceremonies or the ways we identify ourselves in relation to each other.

Our stories are extensive and full of purpose, but because they are boxed into the category of mythology, the knowledge they contain is not seen as scientifically reliable. Western science has always prided itself on being objective and quantifiable and there is no doubt that it has presented some of the most important discoveries across the world. However, it has also been responsible for the oppression of my people. Western scientists developed ideas that enabled them to see Aboriginal people as lesser beings, that suggested “Western civilisation” was more intelligent than us. Western science is behind the forced removal of Aboriginal children, known more commonly in Australia as “The Stolen Generation”. Western science is the reason my people are seen as nomadic: it claimed we had no understanding of the land we existed on and that we were aimlessly wandering the country. Ultimately, Western science is the reason our land was originally taken away from us.

45,000 years of connecting to heritage

Western science and Indigenous knowledge clash because of their histories. In western society, science will always be placed on a higher pedestal, it will always be seen as more trustworthy. But Indigenous knowledge is the result of many thousands of years of observation. You cannot compare that to the past thousand or so years that western science has existed.

Scientific understanding of the Ediacaran period seems to be completely beyond the scope of Indigenous knowledge systems. It is unknown whether my ancestors had seen or even understood what the fossils were. However, the extent of our knowledge of the land and its creatures cannot be denied.

Adnyamathanha Country spans the plains and the ranges.
Jacinta Koolmatrie, Author provided

A similarity can be found between these fossils and our cultural heritage. Both are significant and vulnerable, and both need to be protected. When geologists and paleontologists started going to Ediacara the station owner made an admirable decision to restrict the removal of fossils for research. Therefore, all documentation of the fossils is completed on site. Additionally, their location is kept private due to the fear of vandalism and looting.

Adnyamathanha people have similar fears about our heritage. Our rock art is routinely destroyed and artefacts are removed from their original place. They are taken as souvenirs or vandalised out of disrespect for our culture. Unfortunately, we do not have the comfort of owning private land. Our heritage is used for tourism and whilst it is great that this shines a light on our history and culture, you have to wonder whether it is all worth it when our cultural heritage is in danger of destruction. Adnyamathanha heritage deserves as much consideration as the Ediacaran fossils.

Prior to Reginald Sprigg announcing his discovery of the fossils in 1946 they were of no interest to anyone, but we have continually been connected to our heritage for 45,000 years.

That has to count for something.


This essay was commissioned for Mariana Castillo Deball: Replaying Life’s Tape, to coincide with the exhibition at Monash University Museum of Art (MUMA), 5 October – 7 December 2019The Conversation

Jacinta Koolmatrie, Lecturer in Archaeology, Flinders University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Advertisements

A digital archaeologist helps inaccessible collections be seen



Davide Tanasi scans an artifact from the Farid Karam collection.
Davide Tanasi, Author provided

Davide Tanasi, University of South Florida

The Abstract features interesting research and the people behind it.

Davide Tanasi is a digital archaeologist at the University of South Florida. He creates highly detailed 3D scans of archaeological artifacts that can be viewed online or used to create 3D printed replicas.


Why is it important to digitize these artifacts as 3D objects?

It helps spread knowledge about them and guarantees that they will be passed to future generations. For example, the USF Libraries Farid Karam M.D. Lebanon Antiquities Collection is one of the largest collection of Lebanese archaeological artifacts in the U.S. Some of the objects are 3,500 years old. Due to space and personnel restrictions, it was never exhibited and made fully available to the general public. Being unpublished, hardly accessible and poorly visible online, it basically does not exist. Our project to recreate the collection in 3D is called the Virtual Karam Project. It allows us to share those objects around the world, hopefully triggering interest to curate and display the collection.

Davide Tanasi.
Author provided

How do you scan them?

The 3D models of archaeological artifacts must be geometrically accurate to satisfy interested scholars but also realistic enough to engage the public. The “body” of the artifacts is captured with an ultra-precision 3D scanner integrated into a measuring robotic arm. The multicolored “skin” is acquired via a set of high quality digital photographs. From the combination of the two features comes the actual 3D model.

How common is it for museums to create 3D images of their collections?

The fire which recently destroyed the National Museum of Brazil was a global wake up call for curators to start plans for the 3D digitization of historical and archaeological collections. Plans not just for simple archiving and dissemination purposes but also to create a sister digital collection, which can be 3D printed and function as a “surrogate” in case the originals are destroyed. With the British Museum and the Smithsonian Institution leading the charge, it is becoming more common even for small museums to start virtualization projects for their collections.

What other kinds of collections are you digitizing in this way?

I’m working on the Joseph Veach Noble Collection at the Tampa Museum of Art, a group of 150 artifacts, mostly high quality Greek black and red-figure pottery from Athens, Attica and South Italy. Another one of my projects involves the Luigi Palma di Cesnola Collection of Cypriot Antiquities, which includes exquisite examples of ancient pottery and statues ranging between 2,500 B.C. to 400 A.D. Both collections are largely unpublished, only partly accessible to the local public, with poor digital representation.

How do you hope people will use these digital collections?

They are an advanced archival record for the museum. But the 3D models can also be built in Virtual Reality and Augmented Reality experiences for the public. Digital replicas can also be used by scholars in every part of the world or to popularize archaeology or trigger interest towards a certain museum or site. Digital collections can also be integrated in the teaching curriculum at K-12 and university level for history, art history and anthropology.

[ Like what you’ve read? Want more? Sign up for The Conversation’s daily newsletter. ]The Conversation

Davide Tanasi, Associate Professor of Digital Humanities, Department of History, University of South Florida

This article is republished from The Conversation under a Creative Commons license. Read the original article.


Viking Drinking Hall Found in Orkney Dig


The link below is to an article that looks at the discovery of a Viking drinking hall in Orkney.

For more visit:
https://archaeologynewsnetwork.blogspot.com/2019/08/12th-century-viking-drinking-hall-found.html


Archaeology: New Monuments Discovered in Ireland


The link below is to an article that takes a look at new monuments discovered in Ireland.

For more visit:
https://archaeologynewsnetwork.blogspot.com/2019/08/archaeologists-discover-almost-40-new.html


An archaeologist in Alaska: how working with a Yup’ik community transformed my view of heritage



Alice Watterson, CC BY-SA

Alice Watterson, University of Dundee

In spite of the gore, I sit completely transfixed by the deft movements of Sarah’s hands as she butchers a young spotted seal laid out on a strip of cardboard on the floor. “Can I help with anything?” I ask. She laughs as she separates out the meat from the fat and the fat from the skin and suggests that I can do the dishes if I like.

This is my third trip to the village of Quinhagak on the western coast of Alaska, surrounded by a landscape of vast expanses of tundra and an intertwined tangle of lakes and rivers which feed into the Bering Sea.


Google Maps

The Yukon-Kuskokwim Delta region of Alaska is home to the Yup’ik people, who practise a largely subsistence lifestyle characterised by seasonal hunting, fishing and gathering. An archaeological dig happens here each year over the brief summer season between July and August, although seasonal changes, once like clockwork, are becoming less distinct because of climate disruption.

Local woman Mary Church hangs up salmon strips to dry.
Willard Church., CC BY-SA

Discovering Nunalleq

The dig, which goes back nearly a decade, was initiated by the local community with the aim of rescuing the remains of an old sod house in a nearby area known as Nunalleq, or “the old village”, before it is lost to permafrost melt and a crumbling coastline. The site dates from between 1570 and 1675, decades before Yup’ik first came into contact with Russian and European traders.

The archaeological excavations at Nunalleq.
Nunalleq Archaeology Project

The excavations, led by a team from Aberdeen University in Scotland, were well underway by the time I joined in 2017. The project has recovered some 100,000 artefacts which were put on public display for the first time in August 2018 at the Nunalleq Culture and Archaeology Centre in Quinhagak.

As a reconstruction artist, it is my job to translate archaeological findings into renderings of life in the past. In Quinhagak, I was tasked with collaborating with the local community to co-design a digital resource for schoolchildren. It tells the story of the excavations in a way that makes space for the traditional Yup’ik worldview and contemporary parallels in subsistence, dance and crafts.

A reconstructed interior of the sod house.
Alice Watterson with characters by Tom Paxton

Within this resource, 3D-scanned artefacts and animated reconstructions of village life at Nunalleq can be explored on a computer screen, accompanied by soundbites, videos and interactive content co-curated by the Quinhagak community and the archaeologists. It will be available to the public here from July 2019.

3D scanned artefacts, narrated by local community and archaeologists.
Alice Watterson with characters by Tom Paxton

The purpose of my trip in April 2019 was to test the resource on school computers in the village. This trip was outside the usual dig season so I stayed with a local family. My host was schoolteacher Dora Strunk, who was raised in Quinhagak and whose children belong to a generation in the village who grew up with the archaeology project.

Whether it was bouncing across the tundra on Dora’s four-wheeler to collect kapuukuq greens, or sitting in her daughter Larissa’s bedroom listening to her explain the meaning behind her traditional dance regalia, these friendships have gradually reshaped my own understanding of what it means to be Yup’ik in the 21st century.

What heritage means

I’ve heard objections to the collection being housed in the village: shouldn’t it be in a big museum in Anchorage or New York where more people can see it, “for the greater good”?

What I have learned during my visits here is that there is a need to maintain heritage within a community – and to allow it to be part of the here and now. Heritage is often seen as being focused on fragmented artefacts and ruinous buildings, but for many people, particularly indigenous and descendant communities, it can be intrinsically connected to a sense of social identity and cohesion.

Children gather for the annual show-and-tell to see the finds excavated after each dig season.
Nunalleq Archaeology Project

Like many indigenous communities across the world, Yup’ik are still dealing with the effects of deep historic trauma from centuries of colonisation, exploitation and misrepresentation. Yet unlike the majority of Native Americans in the lower 48 states, Alaska Native land isn’t compacted into Indian reservations. People still traverse the vast expanse of tundra and coastline like their ancestors did thousands of years ago.

That said, maintaining this connection to land and tradition does not constitute a bygone era. Yup’ik is a living culture fully part of the modern world, with Snapchat and drum dances, microwave pizza and walrus ivory carving, snow machines and subsistence practices – even Facebook feeds filled with Yup’ik memes. Culture persists.

Establishing the Nunalleq centre in Quinhagak and helping to create the digital resource with the Yup’ik community is part of the same mindset that is prompting a handful of museums to repatriate artefacts and remains to descendant communities – while others come under mounting pressure to do so.

Here and now

My latest trip coincided with the district’s annual dance festival, which brought together schools from across the region. I had worked with young people from the local group the previous summer, who had chosen to interpret the excavation of dance regalia from Nunalleq by writing a new traditional drum song or yuraq about the site. They performed it again at this year’s festival.

During the festival, many youngsters came to the museum to see the artefacts. I witnessed teenagers pulling open drawers containing wooden dance masks, drum rings, ivory earrings, bentwood bowls and harpoons with trembling hands. Big kids lifted little kids up to peer into the cabinets and gasp, asking: “These all came from down there? From our beach?”

Volunteer Rufus holds out an ivory toggle he excavated from Nunalleq.
Nunalleq Archaeology Project

The “greater good” is right here: not only the collection being housed in Quinhagak, but also the work the village is doing to take charge of its story and share it with the wider world through outreach like the Nunalleq Educational Resource.

For Quinhagak, the past is not a place which is independent from the present. For the younger generation especially, the past is becoming a space for engaging with their heritage which they are continually transforming and reimagining in the present.The Conversation

Alice Watterson, Post-doctoral Research Assistant, 3DVisLab, University of Dundee

This article is republished from The Conversation under a Creative Commons license. Read the original article.


Archaeology: Jordan – Pella


The link below is to an article that takes a look at the latest finds in Pella, Jordan.

For more visit:
https://archaeologynewsnetwork.blogspot.com/2019/06/excavations-at-jordans-pella-unearth.html


Archaeology is unravelling new stories about Indigenous seagoing trade on Australia’s doorstep



File 20190213 90497 12f9ric.jpg?ixlib=rb 1.1
A Motu trading ship with its characteristic crab claw shaped sails. Taken in the period 1903-1904.
Trustees of The British Museum, CC BY-NC-SA

Chris Urwin, Monash University; Alois Kuaso, Papua New Guinea National Museum and Art Gallery; Bruno David, Monash University; Henry Auri Arifeae, Papua New Guinea National Museum and Art Gallery, and Robert Skelly, Monash University

It has long been assumed that Indigenous Australia was isolated until Europeans arrived in 1788, except for trade with parts of present day Indonesia beginning at least 300 years ago. But our recent archaeological research hints of at least an extra 2,100 years of connections across the Coral Sea with Papua New Guinea.

Over the past decade, we have conducted research in the Gulf of Papua with local Indigenous communities.

During the excavations, the most common archaeological evidence found in the old village sites was fragments of pottery, which preserve well in tropical environments compared to artefacts made of wood or bone. As peoples of the Gulf of Papua have no known history of pottery making, and the materials are foreign, the discovered pottery sherds are evidence of trade.

This pottery began arriving in the Gulf of Papua some 2,700 years ago, according to carbon dating of charcoal found next to the sherds.




Read more:
Explainer: what is radiocarbon dating and how does it work?


This means societies with complex seafaring technologies and widespread social connections operated at Australia’s doorstep over 2,500 years prior to colonisation. Entrepreneurial traders were traversing the entire south coast of PNG in sailing ships.

There is also archaeological evidence that suggests early connections between PNG and Australia’s Torres Strait Islands. Fine earthenware pottery dating to 2,600 years ago, similar in form to pottery arriving in the Gulf of Papua around that time, has been found on the island of Pulu. Rock art on the island of Dauan further to the north depicts a ship with a crab claw-shaped sail, closely resembling the ships used by Indigenous traders from PNG.

It is hard to imagine that Australia, the Torres Strait and PNG’s south coast were not connected.

The region termed the ‘Coral Sea Cultural Interaction Sphere’ where archaeology is gradually uncovering evidence of ancient interconnections.
Author provided

An unconventional trade

The trade itself was quite remarkable. When British colonists arrived in Port Moresby (now the capital of PNG) in 1873, some 130 kilometres from the start of the Gulf of Papua to the west, they wrote in astonishment of the industrial scale of pottery production for maritime trade by Indigenous Motu communities.

Each year, Motu women would spend months making thousands of earthenware pots. Meanwhile the men built large trading ships, called lakatoi, by lashing together several dugout hulls. The ships measured 15-20 metres long and had woven sails in the shape of crab claws.

In October and November, Motu men would load the pots into the ships and sail west towards the rainforest swamplands of the Gulf of Papua. The trade on which they embarked was known as hiri. The voyages were perilous, and lives were sometimes lost in the waves.

Rows of Motu pots ready for shipment to the Gulf of Papua. The pots are arranged on a beach situated in today’s Port Moresby region. Taken by Reverend William G Lawes in 1881-1891.
Trustees of the British Museum, CC BY-NC-SA

When the men arrived – having sailed up to 400 kilometres along the coast – the Motu were in foreign lands. People living in the Gulf of Papua spoke different languages and had different cultural practices. But they were not treated like foreigners.

Sir Albert Maori Kiki, who became the Deputy Prime Minister of PNG, grew up in the Gulf of Papua in the 1930s. He described the arrival of the Motu in his memoirs:

The trade was not conducted like common barter […] the declarations of friendship that went with it were as important as the exchange of goods itself […] Motu people did not carry their pots to the market, but each went straight to the house of his trade relation, with whom his family had been trading for years and perhaps generations.

In exchange for their pots, the Motu were given rainforest hardwood logs from which to make new canoes, and tonnes of sago starch (a staple plant food for many people in Southeast Asia and across the island of New Guinea).

The Motu would stay in Gulf villages for months, waiting for the wind to change to carry them back home.

Quantity overtakes quality

Pottery has been traded into the Gulf of Papua for 2,700 years, but the trade grew larger in scale about 500 years ago. Archaeological sites of the past 500 years have much larger quantities of pottery than those before them. The pottery itself is highly standardised and either plain or sparsely decorated, in contrast with older sherds that often feature ornate designs.

In the past 500 years it seems that pottery makers valued quantity over quality: as greater quantities of pottery were traded into the Gulf of Papua, labour-intensive decorations gradually disappeared.

Fragments of a decorated earthenware bowl dating to within the past 500 years. Found in an excavation at Orokolo Bay (Gulf of Papua, PNG) in 2015.
Photographs by Steve Morton (Monash University)

We think this is when the hiri trade between the Motu and rainforest villages of the Gulf of Papua began in earnest.

The coming decades promise further findings that will help unravel the forgotten shared history of PNG and Indigenous Australia across the Torres Strait. But it is becoming increasingly clear that Indigenous Australia was not isolated from the rest of the world.The Conversation

Chris Urwin, Researcher, Australian Research Council Centre of Excellence for Australian Biodiversity and Heritage, Monash University; Alois Kuaso, Deputy Director for Science Research and Consultancy Division at the Papua New Guinea National Museum and Art Gallery, Papua New Guinea National Museum and Art Gallery; Bruno David, Professor, Australian Research Council Centre of Excellence for Australian Biodiversity and Heritage, Monash University; Henry Auri Arifeae, Cultural Coordinator, Papua New Guinea National Museum and Art Gallery, and Robert Skelly, Archaeologist, Monash University

This article is republished from The Conversation under a Creative Commons license. Read the original article.


Why archaeology is so much more than just digging



File 20181212 110253 u3jixz.jpg?ixlib=rb 1.1
The Port Arthur historic site is beautiful today – but its isolation would have been overwhelming for former convict inhabitants.
Port Arthur Historic Site , Author provided

Richard Tuffin, University of New England and Martin GIbbs, University of New England

It’s our experience that most people think archaeology mainly means digging in the dirt.

Admit to strangers that you are of the archaeological persuasion, and the follow-up question is invariably “what’s the best thing you’ve found?”.

Start to tell them about a fantastic ink and watercolour plan you unearthed in library archives, or an old work site you stumbled upon in thick eucalypt bush, and their eyes glaze over.

People invariably want to hear about skeletons, pots and bits of shiny metal. It’s this type of stuff that you will often see in the media, giving the misleading impression that archaeological process is only about excavation.

While the trowel and spade are an important inclusion in the archaeological toolkit, our core disciplinary definition – that of using humanity’s material remains to understand our history – means that we utilise many ways of engaging with this past.




Read more:
Poor health in Aboriginal children after European colonisation revealed in their skeletal remains


A hole in the ground

Of course, there’s nothing like a tidy hole in the ground to get people’s attention. Yet what often gets lost in the spotlight’s glow is that excavation is the last resort; it’s the end result of exhaustive research, planning and design.

In the research environment, excavations are triggered by having no, or only a low level of, other streams of evidence.

This similarly applies in mitigating the impacts of development, where the threat of an historical site’s partial or complete removal adds an element of evidence recovery.

Should the excavation be ill-thought out, or divorced from proper research goals, the results – and therefore the net benefit of the whole exercise – are lessened, if not completely lost.

This is particularly so for historical archaeologists, where the availability of documentary archives, oral testimony and the remaining landscape itself can reveal so much – before trowels meet dirt.




Read more:
Essays On Air: how archaeology helped save the Franklin River


Lots of work before digging

For the historical archaeologist, a huge amount of work must take place before an excavation can even be planned, with invasive investigations sometimes not even considered.

In our particular field, the historical archaeology of Australia’s convict system (1788-1868), there is a vast amount of documentary evidence that requires interrogation before any archaeological process can begin.

Convicts at work turning the Australian bush into a tamed cultivated field (Thomas Lempriere ‘Philips Island from the N.W. extremity to the overseer’s hut, Macquarie Harbour’ circa 1828.)
Allport Library and Museum of Fine Arts, Tasmania Archive and Heritage Office, Author provided

As an example, in the Tasmanian Archives and Heritage Office, 35 metres of shelf space is taken up just by the official correspondence records for the period 1824-36.

Correspondence, reports, tables, diaries, newspapers, maps, plans, illustrations and photographs contain a wealth of information about the convict past. These can be used to query how people interacted with each other and the places, spaces and things that were created and modified as a result.

The experience of convict labour

We are currently over a year into a research project (called Landscapes of Production and Punishment) that uses evidence of the built and natural landscape to understand the experience of convict labour on the Tasman Peninsula, Tasmania (1830-77).

At its peak, nearly 4,000 convicts and free people lived on the penal peninsula. Their day-to-day activities left traces in today’s landscape that we locate and analyse using historical research, remote sensing and archaeological field survey.

LiDAR (Light Detection and Ranging, a form of 3D mapping) has been used to great effect, mapping large areas in high detail, which have then been surveyed to find the sites of convict labour. These include quarries, sawpits, charcoal-burning stands, brick pits, tramways, roads and paths, cultivated fields and boundaries.

LiDAR image of the immediate area around the Port Arthur penal station, showing the.
range of activities carried out in the landscape

Landscapes of Production and Punishment, 2017-19, Author provided




Read more:
What Australia’s convict past reveals about women, men, marriage and work


No soil was disturbed

Without turning a sod, we have recreated historic landscapes that have long lain dormant.

These have then been brought to life through the records of the system, which were historically used to account for the convicts and their labour. These include records about the lives of convicts whilst under sentence, as well as statistics on the products and processes of their labour.

This raw data shows us the outputs of industrial operations carried out by the convicts, like brick making, sandstone quarrying, lime burning and timber-getting, as well as the manufactories that produced leather, timber and metalwork goods by the thousand.

The records also locate convict and free settlers back into time and space, reconnecting them to the places and products of their labour.

As the project develops, excavation may be one of the archaeological methods used to retrieve our evidence – but only once we have exhausted all other avenues of enquiry.

Controlled destruction

As archaeologists, we have a responsibility to ensure that the controlled process of destruction that is an archaeological investigation has the greatest possible research return.

Without this due process, our work becomes unhinged from research frameworks. The excavations devolve into expensive and directionless treasure hunts from which little research value can be extracted.

The archaeologist’s profession – be it as an academic or working in the commercial and government sector – is more than excavation. It encompasses a diverse range of skills and techniques which can be deployed to aid in our central task of understanding the lives of those who came before.




Read more:
A fresh perspective on Tasmania, a terrible and beautiful place


The authors would like to thank Caroline Homer (Tasmanian Archives and Heritage Office) and David Roe, Jody Steele and Sylvana Szydzik (Port Arthur Historic Site Management Authority).The Conversation

Richard Tuffin, Research Fellow, University of New England and Martin GIbbs, Professor of Australian Archaeology, University of New England

This article is republished from The Conversation under a Creative Commons license. Read the original article.


Bogs are unique records of history – here’s why


Henry Chapman, University of Birmingham; Ben Gearey, University College Cork; Jane Bunting, University of Hull; Kimberley Davies, Plymouth University, and Nicola Whitehouse, Plymouth University

Peat bogs, which cover 3% of the world’s land surface, are special places. While historically often considered as worthless morasses, today they are recognised as beautiful habitats providing environmental benefits from biodiversity to climate regulation. However, they are threatened by drainage, land reclamation for agriculture and peat cutting for fuel, which has significantly reduced the extent and condition of these ecosystems on a global scale. Bogs are fragile and sensitive to change, whether by human hands or by processes such as climate change.

A less well known aspect of bogs is their remarkable archaeological potential. In their undisturbed state at least, bogs are anoxic (oxygen-free) environments due to their saturation. These conditions are hostile to the microbes and fungi that would normally decay organic material such as the remains of plants, which are the principal constituents of the peat. The same anoxic conditions also offer protection from decay for organic archaeological remains. The vast majority of objects and structures used by our ancestors were made from organic materials (in particular wood). These are normally lost on dryland archaeological sites but can be preserved in peatlands.

The saturated conditions mean that even soft tissue can survive, including both skin and internal organs. Probably the best known archaeological finds are the remains of “bog bodies” such as the famous prehistoric Tollund Man in Denmark, Lindow Man in the UK, or the more recent Irish discoveries of Clonycavan Man, Old Croghan Man and Ireland’s oldest known bog body, Cashel Man, dated to the Bronze Age.

Excavating a trackway on Hatfield Moors, South Yorkshire.
© Henry Chapman

Seeing hidden landscapes

But archaeology is only part of the story these environments have to tell. They are important archives of the past in other ways: the layers of moss and other vegetation that make up peat are themselves immensely valuable as archives of past environments (palaeoenvironments). The manner in which peat accumulates means that the deposits have stratigraphic integrity, meaning that contained within each layer can be found macroscopic and microscopic remains of plants and other organisms that shed light on landscape change and biodiversity on timescales ranging from centuries to millennia. The high organic content of peat means that these records can be dated using the radiocarbon method.

The best known such records are probably pollen grains which provide evidence of past vegetation change. But evidence from other organic material can be used to reconstruct other past environmental processes. For example, single-celled organisms called testate amoebae, preserved in sub-fossil form, are highly sensitive to peatland hydrology and have been extensively used in recent years to reconstruct a history of climatic changes. Meanwhile, fossil beetles can tell us how the biodiversity and nutrient status of a peatland has altered over time.

Fossil beetle remains associated with Old Croghan Man bog body, Ireland.
© Nicki Whitehouse, Author provided

The potential of bogs to preserve both environmental and archaeological records means that they can be regarded as archives of “hidden landscapes”. The accumulating peat literally seals and protects evidence of human activity ranging from the macroscopic (in the form of archaeological sites, artefacts and larger plant and animal remains) through to the microscopic (pollen, testate amoebae and other remains) material that provides contextual evidence of environmental processes.

Through detailed integrated analyses these records can provide evidence of past human activity ranging from the everyday exploitation of economic resources of peatlands, through to the ceremonies associated with prehistoric human sacrifice and the deposition of the so-called bog bodies. The associated palaeoenvironmental record can be used to situate these cultural processes within long term patterns of environmental changes.

A bog in Estonia seen from above.
FotoHelin/Shutterstock.com

Taming the wild

There has been extensive study of the palaeoenvironmental record from bogs and notable archaeological excavations of sites and artefacts, but there have been relatively few concerted attempts to integrate these approaches. In part this is because generating sufficient data to model the development of a bog in four dimensions (the fourth being time) is a formidable research challenge. But some peatlands have seen relatively extensive archaeological and palaeoenvironmental research over the last few decades, providing an excellent starting point. Hatfield and Thorne Moors, situated primarily in South Yorkshire, are two such peatlands.

These two largest surviving areas of lowland bog in England are located within a wider lowland region known as the Humberhead Levels. After decades of industrial peat extraction, these bogs are now nature reserves managed by Natural England, and are becoming the “wild” bogs they once were. We are attempting to reconstruct the wildscape and bring the complex histories of this vast and dynamic boggy landscape to life.

Flora on Thorne Moors.
© Peter Roworth, Author provided

These moors are just two surviving parts of a once rich mosaic of wetland landscapes. In the past, this landscape was famed for its wildness – a remnant of an extensive complex of mires, rivers, meres and extensive floodplain wetlands. Antiquarians such as John Leland visited the area in the 16th century, and his descriptions provide a “window onto what must have been a truly fabulous ‘everglades-like’ landscape”, as described by local historian Colin Howes.

Now largely drained, tamed and converted to farmland, it’s hard to imagine the vast wetland landscapes that once characterised these areas. Following large-scale land reclamation in the 17th century, many of the traditional practises such as fishing, fowling, grazing and peat-cutting (turbary) rights were no longer available to commoners. Consequently, the connections between people and place became increasingly defined by a new, dryland landscape and disconnected from its former wetlands that were once so central to people’s lives.

Sphagnum moss on Thorne Moors.
© Peter Roworth

We are investigating and reconstructing this dynamic and changing wildscape throughout its history, reconnecting communities to these wetland landscapes. Drawing together previous research alongside targeted archaeological fieldwork and palaeoenvironmental analyses, we are combining these with newly available digital data and sophisticated modelling techniques to reconstruct their interwoven landscape and human histories. Together, for the first time, we are beginning to see the complexity of the dynamic and changing landscape that once characterised the Humberhead Levels.The Conversation

Henry Chapman, Professor of Archaeology, University of Birmingham; Ben Gearey, Lecturer in Environmental Archaeology, University College Cork; Jane Bunting, Reader in Geography, University of Hull; Kimberley Davies, Research Assistant, Wildscape Project, Plymouth University, and Nicola Whitehouse, Associate Professor (Reader) in Physical Geography, Plymouth University

This article is republished from The Conversation under a Creative Commons license. Read the original article.


Seen from the air, the dry summer reveals an ancient harvest of archaeological finds



File 20180816 2894 1echakz.jpg?ixlib=rb 1.1
Unseen from ground level, this Iron Age farmstead with recognisable round house near the Yorkshire Wolds is revealed in cropmarks. The lighter green shows it was carefully placed on a gravel rise surrounded by wetter land, shown here where the crop grows a darker green.
Peter Halkon, Author provided

Peter Halkon, University of Hull

For an aerial archaeologist 2018 has been a bumper year. The long, hot summer has revealed ancient landscapes not visible from ground level, but easily recognised in fields of growing crops from the air.

The principle behind the appearance of cropmarks is simple. If, for example, an Iron Age farmer dug a ditch around his field, over time this ditch will fill up with soil and other debris and will generally retain more moisture than the soil or bedrock it was cut into. Centuries later, a cereal crop sown over this earth will grow for a longer period and ripen more slowly, appearing greener as the surrounding crop ripens to a golden colour. Conversely, a crop planted in soil covering the remains of a stone building or roadway will ripen more quickly and parch, again appearing a different colour to the rest of the crop.

What has made the summer of 2018 so remarkable is that the winter and spring was so wet that plants grew relatively shallow roots, having no need to search deeply for water. So when the drought came this summer, those plants that grew over buried features such as ditches and pits benefited from the greater store of water retained in the infilled soil. Well-drained sandy soils and those over chalk are particularly conducive to revealing features through cropmarks.

These cropmarks show a known cursus monument at Warborough, Oxfordshire. The purpose of cursus monuments is debated, thought to be enclosed paths or processional ways.
Damian Grady/Historic England

Recognising archaeological sites by cropmarks is noted as far back as the antiquarians of the 17th century, although it was William Stukeley – who pioneered the study of Stonehenge and Avebury – who provided the clearest early explanation in his description of features in the Roman town of Great Chesterford in Essex in 1719. In the modern era, at first using balloons, then aeroplanes and, most recently, drones, aerial archaeology photography has become a standard reconnaissance technique.

History from the air

One area where this has been used widely is the Yorkshire Wolds, among the first to be covered in the National Mapping Programme undertaken by the former Royal Commission on Historical Monuments England, begun in 1908, now part of Historic England.

Compiled from thousands of aerial photographs by Cathy Stoertz and published as Ancient Landscapes of the Yorkshire Wolds in 1997, this remains one of the most detailed studies of an archaeological landscape in the UK. From the River Humber at Hessle to Flamborough Head, Stoertz’s mapping revealed a network of prehistoric and Romano-British enclosures, burials mounds, ceremonial monuments and linear earthworks.

Cropmarks showing square barrows to either side of the road at Arras, East Yorkshire.
Peter Halkon, Author provided

My own research has examined many of these sites on the ground through geophysical survey and excavation, and further aerial sorties, and this has greatly expanded our knowledge of the region. Flying from Hull Aero Club’s airfield near Beverley, I have focused on the western escarpment of the Yorkshire Wolds and the eastern fringes at the Vale of York, a region I have studied for many years.

For example, the picture above shows the square barrow cemetery at Arras, in East Yorkshire. Here, burials were placed on the ground and a mound was built over them with soil dug out from a surrounding ditch. The barrow ditches show as green squares. Dating from the Middle Iron Age, probably around 300 BC, this site gave its name to the internationally recognised Arras Culture of East Yorkshire.




Read more:
Bones of Iron Age warriors may reveal link between Yorkshire’s ‘spear-people’ and the ancient Gauls


A portion of the massive later prehistoric earthworks of Huggate Dykes has survived since the banks and ditches were built in around 1000 BC, probably as territorial boundaries or as a means to control access to springs and streams.

Later Bronze Age earthworks known as Huggate Dykes, from ground level.
Peter Halkon, Author provided

Impressive from ground level, an aerial view reveals faint green stripes in an adjacent cornfield – all that is left of the buried ditches after centuries of ploughing.

Seen from above, the remnants of the Huggate Dyke linear earthworks (centre) can be seen as faint green stripes continuing into the adjacent field (top right).
Peter Halkon, Author provided

This year I have discovered hitherto unknown sites and, in other places, greater detail at already recorded sites. These include Bronze Age round barrows, apparent as rings in the crop, the characteristic square barrows of the Iron Age Arras Culture, and linear features running across the landscape from Iron Age and Romano-British farmsteads and other settlements.

Soil marks of three Bronze Age round barrows on the Yorkshire Wolds, appearing as circular marks in the soil. The darker circles show the infill of the ditch around the barrow that was originally dug to create the barrow mound.
Peter Halkon, Author provided

Collaborating with Tony Hunt of Yorkshire Aerial Archaeology and Mapping, for the first time I have also used drones. Although these are subject to altitude restrictions, a good quality camera on a drone guided along pre-programmed tracks by GPS can gather precise images. The hundreds of overlapping images can be combined to provide a huge two-dimensional mosaic image, or processed to create 3D imagery, an elevation model, or to colourise the images in order to make the hidden archaeological features more visible.

Here, left, a conventional orthophoto of a field showing the faint outline of an Iron Age or Romano-British square enclosure with the ditch of an associated droveway, and right, the same site processed using the DroneDeploy Plant Health filter, adding false colour to better highlight the archaeological features.
Tony Hunt/Yorkshire Aerial Archaeology and Mapping, Author provided

This technique is truly revolutionary as mapping was tricky and time-consuming in the past, particularly aerial photographs taken at oblique angles, requiring hours peering through a stereoscope, mapping sites by hand using geometry.

<!– Below is The Conversation's page counter tag. Please DO NOT REMOVE. –>
The Conversation

While the drought of 2018 has seriously affected crop yields, it has provided a rich harvest of a different kind, one that will take a considerable time to digest. An opportunity to do so will be as archaeologists meet to discuss finds from across Europe at the Aerial Archaeology Research Group annual conference, held this year in Venice, September 12-14.

Peter Halkon, Senior Lecturer in Archaeology, University of Hull

This article was originally published on The Conversation. Read the original article.


%d bloggers like this: